This evening I sewed on a button. I know, stop the presses, right? Maybe all you fiendishly domesticated chaps regard the sewing on of a button as the task of a moment, airily achieved in between finishing up a souffle with one hand and hand-painting Florentine borders on your walls with the other. I regard sewing as a task invented by the devil, while he was taking a quick break after creating mayonnaise.
Since I am creature who either loves or loathes, I detest sewing and I always have done. I hate and resent the entire process of sewing on a buttom, from the 10 minutes it takes me to thread a needle, to the inevitable self-inflicted puncture wound. Clothes of mine that are missing a button can look forward to months of languishing in the wardrobe, and quite possibly never being worn again. Hems are easier to fix in that I get them done at the dry cleaners.
And yet, I love haberdashery. All those rainbows of colour and gorgeously rich fabrics, all that ribbon and lace, silver and gold thread. Haberdashery departments are old fashioned oases of potential, like hardware stores. And also like hardware stores, I don’t know what to do with any of their contents.
I went to the sort of school where, as well as being academic high achievers, us gels were supposed to shine on the hockey field and be able to make ourselves a new blouse if occasion demanded. Needlework classes were compulsory, like Latin, except I was good at Latin. Needlework started with the obligatory cross-stitch Kate Greenaway initial, progressing onto a bit of fancywork on a felt cushion, and rounding off at the end of the year with the demand that we make nightwear.
By that time I had more than figured out my level, which was below the bottom of the class and tunnelling down. We had to buy patterns and fabric. I found the most basic, unflattering pattern I could, which was for a full length night dress with a rounded neck and short sleeves. It was basically a large, floral, double ended sack.
The pattern immediately defeated me. I’ve explained that I’m not good with diagrams and none of it made any sense at all. I spread the paper out on my bedroom floor and stared at in a sort of numb horror for a bit, then put it all away. I think that eventually a helpful neighbour cut the fabric out for me, doing her best to explain. I may as well have been back in a Physics class for all the sense it made.
Back at school we were introduced to the sewing machines, fearsome, violent engines of incomprehensible construction and what seemed to me a terrifyingly dangerous sewing speed. I failed singularly to master threading the machine. Someone would usually take pity on me and thread it for me, whereupon I would sew a drastically uneven line of stitches, then jam or break the needle. Shamefaced, I would give up the machine to the next eager, competent needleworker and sit myself in a corner to unpick the miserable few stitches I had inflicted on the fabric. Thus went the term. At the end of it, somehow, the double ended floral sack was complete in its horribleness. To add insult to injury, my friend took the leftover fabric and in what seemed a matter of minutes, whisked herself up a sweet pair of short pjs with matching vest top.
Bitch.
On the few occasions I have ever tried to sew, the mingled sense of bafflement, frustration, embarassment and rage takes me straight back to the school sewing room. Every time I drop off a sewing task at the dry cleaners, my inner 12 year old rejoices.


